Sitaria
Sitaria, le projet de Uwe Neumann à la sitar, offre des concerts de musique classique de l’Inde mettant l’accent sur la dynamique des rythmes et la richesse des mélodies de cette musique d’ailleurs.
Uwe Neumann a donné des concerts de musique classique de l’Inde en duo avec son projet Sitaria (sitar-tablas) avec Shankar Das, Jagjit Singh, Shawn Mativetsky, Hindole Mazumder, Subhen Chatterjee, Debasish Das, Subhajyoti Guha, Partha Sarathi Mukherjee et Indranil Mallick au tablas.
La complicité de ces musiciens émerge de leurs compositions et de leur jeu d’improvisation. Ces derniers révèlent une profonde connaissance de la musique indienne.
Le sitar est un instrument de fusion du 13e siècle, combinant le Veena de l’Inde du Sud (et son système de Ragas) avec le Rabab perse (et son ornementation arabe) qui forment la musique classic Hindoustani d’aujourd’hui.
Événements à venir
Événements passés
Sutton
Théâtre du Marais
National Centre for the Arts, Ottawa
Festival of India
Centre des Musiciens du Monde
Festival de l'Inde 2023
Traversée de nuits d'hiver : Retour de la lumière
Montréal
Montréal
Revue de presse
Front-page of the world’s largest read daily, 55 000 000 prints daily, Jagran
Translation: Playing Sitar in Book Fair On Tuesday in the Deoghar Book Fair and Cultural Festival, Mr. Uwe Neumann, a german national, played sitar. We were informed that in the year 2000 he played sitar on the ghat of the Ganges in Kashi (Varanasi). Shri Narendra Modi (now prime minister of India) organised the programme. H.H. the Dalai Lama also was present in the programme (details on page 4).
German guitar man Uwe Neumann, 33, discovered the sitar in a most unusual fashion. As he walked down a crowded Benares lane 10 years back, a stranger approached him and offered free lessons in sitar. Neumann, who had played classical guitar in church choirs and was an accomplished folk and jazz guitarist in hometown Nuremberg, followed the man into a shop, tuned in to the sounds of the sitar and was hooked…. Neumann too was attracted by the unique development of melody in Hindustani classical. “I realized my playing lacked melody. Most of the popular music we’re exposed to has a strong beat and harmonic structure, but its melodic content is weak,” says the jazzman. He came to Shantiniketan to learn the sitar under Indranil Bhattacharya. There, the versatile artist charmed his teachers by playing the sansa, a traditional African percussion instrument. Neumann has now spent seven years in Shantiniketan and has already earned bachelors and master’s degrees in music and is planning to do a doctoral dissertation. He also runs a one-man band, Ragleela, in which he plays the sitar, acoustic guitar, bass, sansa, and the aboriginal wind instrument, didjeridoo. He has a tabla player who provides the backbeat. “But,” says he, “I will only be satisfied with my sitar playing when I am completely accepted in India.”
